Posted by Jim at February 3rd, 2004
In thinking about sequels, I have one basic observation: Sequels often suck. When they don’t, it’s generally because it wasn’t so much a sequel as a pre-planned continuation of the first story. It’s still possible to screw that up of course.
Roger Zelazny manages to err in a way that allowed me to enjoy the books, but not enjoy the overall effect of the story on my understanding of Amber’s universe.
Here’s what he did right:
1. He didn’t retrofit the plot this time around. The first Amber series was supposed to be a trilogy. The Courts of Chaos was supposed to be the third novel. The third and fourth books are massive plot retrofits with a change in tonal emphasis from epic fantasy to mystery. Not that this is all bad, but it’s messy–particularly when Zelazny has to change certain facts (like whether Random was Corwin’s full or half-brother).
2. Word choices. Every so often, the phrasing and word choices in the first couple books of the first Amber series yank me out of the story. This doesn’t happen in the second series.
3. The second series is different enough from the first to have it’s own identity, but similar enough that it feels connected. It doesn’t rehash old ideas, but touches on points in the original series and goes off in different directions.
Were it not for one problem, I’d think that it was that rare sequel that doesn’t continue the same story, but somehow works.
What’s wrong? Basically one thing: Metaphysics.
In the first series, Amber and the Courts of Chaos were different from each other. Amber’s Pattern somehow ordered the universes between it and Chaos. Chaos, through Brand, attempted to bring everything back to the universe’s original state.
In the meantime, the unicorn was mysterious and intriguing.
In the second series, the Pattern and the Logrus (Chaos’ ever-changing anti-Pattern) are sentient, using the Courts and Amber as pawns. The unicorn and Chaos’ Serpent are two more players in a game of intrigue. Everything that occurred in the first series is explained as little more than a piece in a continuing battle between two forces.
By the end, the Courts of Chaos and Amber both feel very similar. This is not all bad. Manipulative, competing royal families can be the stuff of great stories.
What is not good is that the Pattern and Logrus (the concrete manifestations of order and chaos) come off as the same. Worse, they are portrayed as both petty and as having concerns so abstract that its hard for the reader to connect with them.
That’s a problem.
But it’s not the main problem. In explaining the “real” reason behind the first series’ events, it makes the first series (as well as the current one) seem insignificant–not a good thing. Part of the reason people probably read epic fantasy is because it does feel significant.
That’s only part of the problem. The other part, however, is a real doozy. Part of what was cool about the Courts, the Pattern, the Logrus, and the Unicorn was the mystery that surrounds them. When you strip it away, it no longer tugs at your imagination.
To put it another way: Midichlorians. You didn’t really want to know how the Force worked, did you? This is exactly the same problem.
Unfortunately for the reader, the Pattern and the Logrus’ machinations are so wrapped up with the plot that they are very hard to ignore.
This leaves you with a choice, you can deny the existence of the second series or you can try to concentrate on the parts that you do like.
I choose the latter. Zelazny was one of the major figures in science fiction’s New Wave movement. He was one of the writers who brought inventive writing techniques into science fiction/fantasy. Even imperfect Zelazny still contains interesting situations, amusing characters and the occasional bad pun.
It’s nice to know someone of his stature in science fiction screws up every so often.